Dead Horse Bay is a small saltmarsh on the southern side of Brooklyn. In the 19th century, the marsh was a site with animal processing plants to where carcasses of dead horses and other animals were brought to be processed into glue and fertilizer. The remains were dumped into the water. This explains how the Dead Horse Bay got its name.
Horses were replaced by automobiles, and until 1930's, the marsh of Dead Horse Bay was used as a New York city's landfill. Since around 1950's the garbage dump started to erode and all the treasures are now spilling out for everyone to see. More #deadhorsebay photos.
The coast of the Dead Horse Bay is scattered with bottles, jars, vials, and other glass containers. Less abundant are crockery, faience, porcelain, and rubber items. Probably other materials have not survived and completely decomposed. Some items were buried more than a hundred years ago. Recently I've learned that it is nicknamed “Glass Bottle Beach”. More #deadhorsebay photos.
Scandinavian Modernism Mirrored and Reflected Infinitely, Josiah McElheny, 2005.
Hand-blown mirrored glass objects, transparent and industrial mirror, chrome, metal, wood, electric lighting.
Pottery, painted. New Kingdom, late Dynasty 18, reign of Amenhotep III (circa 1390-1352 B.C.E.) or Akhenaten (circa 1352-1336 B.C.E.). The fish represented is the perch or bolti (Tilapia nilotica), a creature that attracted the attention of the ancient Egyptians by its breeding habits. When bolti eggs have been deposited and fertilized, the female draws them into her mouth and keeps them there until they hatch. The Egyptians came to view the bolti as an animal capable of spontaneous generation and thus as a symbol of resurrection and rebirth.